initiated by TrueMagic on September 15, 2008 (http://www.imdb.com/title/tt0081597/)
Watching Shakespeare is tricky business. Its because the material is so deep and dangerous, that it can cut and ruin lives of innocents just as it can build and weave. Part of the danger comes from not being aware of the edges, of thinking that what you see is a comedy as toothless as something from TeeVee. But part is also a matter of decisions the director makes.There are a few major traditions more
Watching Shakespeare is tricky business. Its because the material is so deep and dangerous, that it can cut and ruin lives of innocents just as it can build and weave. Part of the danger comes from not being aware of the edges, of thinking that what you see is a comedy as toothless as something from TeeVee. But part is also a matter of decisions the director makes.There are a few major traditions the director can follow. A focus on the sweep of cosmology, on the (usual) intricacies of plot. On the fabulous language, its structure and ever-more layered metaphors. Its emotional shivers, yes even the comedies. Sometimes the way chosen is to map it to some other era and its trappings to increase "relevance," as if "West Side Story" had the stuff from which one builds imagination.But the most dangerous choice of all, I believe, is when the director chooses to make the play about humans, to make it emotionally real. I mean "emotionally" here in the modern theatrical sense where screams and actorly attunement really can connect. Its probably a bad choice because when you try to make these characters modern, natural, as if you could encounter them in life, you fool yourself into thinking you understand the thing. You see familiar people, reacting in familiar ways, lifelike. But that's not how these plays are put together. There's always the majority of it just out of reach. There's always more, even if you read it slowly. That's what makes this magical. It isn't Ibsen. When the director takes those heavens away, the knife becomes dull and there is no instrument on earth as dangerous as a dull knife.Just look at the comments here on IMDb, celebrating the accessibility of this production. Yes, it is probably more comprehendible than Zeferelli's zany snappings. But that had the language, and it preserved the cadence as poetry, and thus indicated how layered were the metaphors, how nested were the rhythms, how integrated the language was with human intercourse, how dissymmetry is behind the tension the keeps love afloat.Nothing of that is here. This is a marvelous play. The staging is particularly wonderful and the characters engaging, A good play — a good production, but dangerously far from Shakespeare.Ted's Evaluation -- 2 of 3: Has some interesting elements.
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