initiated by carol on September 06, 2008 (http://www.imdb.com/title/tt0702085/)
This is among my favorite episodes from the entire series of SIX MILLION DOLLAR MAN EPISODES -- An assassination skittish Oscar Goldman joins Colonel Steve Austin on a military transport flight over the uncharted wilds of Southern California. Unbeknownst to them, a trio of hired killers (all of them military officers, oddly) are also on board with some scheme to bag Oscar & a fortune in payoff more
This is among my favorite episodes from the entire series of SIX MILLION DOLLAR MAN EPISODES -- An assassination skittish Oscar Goldman joins Colonel Steve Austin on a military transport flight over the uncharted wilds of Southern California. Unbeknownst to them, a trio of hired killers (all of them military officers, oddly) are also on board with some scheme to bag Oscar & a fortune in payoff money. Just how they had planned to carry out the execution is never made clear as the plane is hit by lightning and crash lands in the sea near a previously unknown Pacific Island off the coast of Baja. Or whatever. Steve then more or less takes control of the situation, using his NASA survival school training to help the survivors escaped the wrecked plane, make their way to the island, and gather local fruit (including unpeeled coconuts just like you find at the store) & firewood until Air Force rescue can drop them survival equipment and arrange pickup by submarine.Meanwhile, the assassins try a couple of ruses to kill Oscar including death by poisonous snake before opting to simply shoot him. Steve must then literally use his bionics to save Oscar, kill the bad guys, and teach the confidence lacking young Army medic a thing or two about having a pair if he wants to get anywhere in the world, including into the bed of the pretty blonde Air Force cadet on board.This is one of the finest examples of what THE SIX MILLION DOLLAR MAN really should have been like -- A mean, gritty, somewhat cold hearted action/adventure show for adults. Steve uses his bionic powers to kill people in this episode, something that would be phased out by the middle of the show's phenomenally popular 2nd season. During this early period in the show things were more experimental, and one of the things that works best about this particular episode is the atmosphere it creates. Shot on Universal back-lots and nameless park lands, the show eschews the technological angles usually pursued by science fiction shows and quite literally becomes a survival parable. Steve's character is also solidified into an unflappable government agent specializing in, well, everything, and if it has one short coming it is that he comes off as a bit of a know-it-all at times, though the supporting cast does regard him with a certain amount of reverence that would stroke anyone's ego.A pity that by the time Bigfoot was introduced the show had become more family oriented, softening the edge of brutality that makes this installment much more an adventure for adults. Kids like me at the time keyed into the show's coolness factor and quite probably ruined the show by adopting it as our own. But here there is still a sense of adventure with a human cost, with lives actually in the balance and Steve the only thing keeping them from certain doom. Add to it a cast of very talented veteran character actors/actresses -- and even 70s icon Joanne Worley on board as a Mai Tai buzzed comic relief housewife -- and this episode represents some of the best television ever devised for the entertainment of mankind.9/10; Bravo!!
